De Warren hett gseit...

[zwirrlibatz]

http://www.nintendo-gamer.net/2012/04/2 ... en-gaming/" onclick="window.open(this.href);return false;

[geosnow]

isch ja nüt neus. und de bewiis hämmer si shenmue.

[Moff]

"ich mach mal wieder es abgfahrnigs wegwisends ubergame"

das sötter säge

[Tatsujin]

das warren noch zeiten.

[BrainBug]

behaupt etzt ma einfach so, dass en videospiel zu machen jetzt grad nüd aufwendiger ist, als gege end der letzte generation en ps2 spiel zu machen.

[zwirrlibatz]

de David hett gseit: http://www.edge-online.com/news/free-ra ... -lucasarts" onclick="window.open(this.href);return false;

rächt guet.

[Uriel]

Da hets no es zuesätzlichs Interview

[zwirrlibatz]

ah super. himmeltruurig isch so öppis. und er gseht fängs us wie dä tc boyle.


Second Sight, fantastisch isch es xi: http://www.eurogamer.net/articles/2012- ... cond-sight" onclick="window.open(this.href);return false; einzigartig (trotz dem PsiOps), visionär, muetig.

[zwirrlibatz]

Imperfect though it is, Second Sight pips those games to the mark in some striking innovations. You play as John Vattic, an escaped mass-murdering mental patient, imbued with incomprehensible powers and plagued by flashbacks to a military operation. Vattic's telekinesis offered physics manipulation before Half-Life 2 made it cool, and as he unravels the conspiracy of his incarceration, he's joined by Jayne - a female companion as self-possessed and sympathetic as Alyx Vance.

Characters clip into cover, peering around and over it to fire in a way that has become de rigueur following the success of Gears of War. Throughout, there's a smattering of minor technologies that have received adulation in other more successful titles: camera within camera pictures, interactive computer screens a la Doom 3, TV monitors showing security feeds from elsewhere in the level, destructible cover, cloth physics and ragdoll animation. It even satisfies Reddit's current obsession with foot-to-floor contact.

Some of its innovations prove hard to top, even now. Second Sight sports some of the most expressively animated characters in gaming - emoting with tremendous subtlety and range. Despite the clear polygon limit, nothing's beyond those cannily crafted animation rigs, delivering everything from from cool scepticism and wounded pride to bewildered terror and pity. Even the mo-capped mastery of Nathan Drake would have trouble matching the emotional clarity of Second Sight's caricatured cast.

Rarer still, Second Sight is a rich narrative-led thriller, peopled by well-crafted characters and given a narrative structure that delivers a stomach-swivelling twist, meshing mechanics and meaning in a way that only Bioshock has managed to top. Throughout the game, action moves between the amnesiac Vattic's attempts to escape confinement and, via debilitating fragmentary flashbacks, to the military operation that led up to it. As the game progresses, however, inconsistencies between these sections begin to emerge - characters are reported dead only to be found alive and well, recorded events shift and change.

und das alles imne 8 jahr alte spili. d'ächtziitscripts (dene säg ich jetz eifach eso) händ mich det umtischet.

[Gurgelhals]

So hässlichi Publisher/Entwicklergschichte sind i de letschte Wuche vermehrt a d'Öffentlichkeit grate. Obsidian hätt z.B. für Fallout: New Vegas nume e Pauschale und kei Tantieme zahlt becho, will s'Spieli uf Metacritic nöd mindestens 85 Pünkt, sondern nume 84 becho hätt: http://www.joystiq.com/2012/03/15/obsid ... one-point/" onclick="window.open(this.href);return false; :typej:

[zwirrlibatz]

wtf????

da frögt me sich öb de pöblisher demfall e paar batze de metacritic übereschiebt...